BYRON YOUTH THEATRE TEENS EMBRACE DIVERSITY
Byron Youth Theatre’s, First BYT ensemble aged 13 – 17 years is bringing “This Girl Laughs, This Girl Cries and This Girl Does Nothing” by Finegan Kruckemeyer to the stage this month at the newly renovated Drill Hall Theatre.
This modern day fairy tale written by one of Australia’s esteemed playwrights for young audiences, revolves around three young sisters who are left in a forest by their woodcutter father and forced to find their own way in the world. From a classical beginning, three resolutions are made — one sister walks one way to find purpose, one the other to find adventure, and the third stays right where she is to create a home. The three sisters traverse the globe in their unique ways to find themselves and heal.
The play appeals to audiences of all ages, blending imaginative storytelling with poignant messages that children can appreciate and adults can delight in. Drawing inspiration from classic stories with a contemporary twist, First BYT aim is to captivate audiences across the Shire, both young and old.
Sally Davis has been facilitating this ensemble since the beginning of the year and responded to their enthusiastic request to create a production that embraces physical theatre, comedy, and social inclusion.
“This experience is giving the teenagers a sense of belonging, confidence and is opening their minds to the idea that theatre and the arts can be a potential career. Teenagers need risks and challenges and performing, designing and staging a show meets those needs and offers them a deep sense of fulfillment and pride to stage their work in front of their local community, peers and parents” shares Sally.
The teenagers have been involved in the entire production from set design, direction, staging, costume creation and prop design and it has demanded extra rehearsal time apart from their weekly class held on a Wednesday 4.45-6pm at the Drill Hall.
“Being a part of this awesome ensemble and doing this play has been so rewarding. I’ve been XYZ”
There are only 2 performances on WEDNESDAY 25TH at the Drill Hall Theatre, so bring the kids along to experience this dynamic production and support local youth theatre. Tickets available from
A new original production from Byron Youth Theatre.
TRIGGER is an entertaining and interactive theatre production, exploring common triggers young people are facing in our region today, and the different ways we can respond to help. Using elements of Forum Theatre, we’ll explore internal, external, environmental and social trigger situations.
Participation is entirely voluntary — the performances will be highly entertaining for those who wish to observe as regular audience members.
Forum Theatre is a unique type of participatory theatre — a devised work, using fictitious characters to simulate real life events currently happening in the community. The play developed out of the process is performed once, all the way through, so the audience can see the situation and the problems presented.
The action builds to a crisis and stops there, offering no solutions. The play is then performed again, with audience members able to “freeze” the action at any point where they see a character struggling with a problem. An audience member yells “stop!”, comes into the playing area, replaces the character they recognise is in a moment of struggle, and tries out their idea. We call this an “intervention.” The Forum Theatre event is vibrant and empowering for all concerned.
The project is supported by the Byron Youth Service and was made possible by the Australian Government’s Regional Arts Fund, provided through Regional Arts Australia and Regional Arts NSW.
The Regional Arts Fund is an Australian Government initiative that supports sustainable cultural development in regional, remote and very remote Australia.
Please note: this event contains elements of audience improvisation and may contain strong language and adult themes. Suggested age 13+
BYT are deeply grateful for the the support of Brunswick Picture House and Umbrella Theatrical Productions
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A new original production from Byron Youth Theatre.
Byron Youth Theatre’s new original production Loves Me Loves Me Not — a dynamic and thought provoking play — once again displays the skill and talent of the eleven BYT cast members who are aged between 14–30 years. Loves Me Loves Me Not explores issues of consent and responsible relationships.
It refers to and includes references to abuse, domestic violence and sexual assault. BYT are well known for their honest and open exploration of important issues and provides an excellent opportunity for parents, caregivers, teachers and youth-related organisations to engage young people in meaningful conversations on the topics raised.
Loves Me Loves Me Not follows several different relationships that intertwine and gives a powerful platform for both young people and adults to express their hopes, fears, confusion and deep longing about how we develop meaningful connection with one another. It includes live music, choreographed dance and dramatic scenes.
The cast attended the Wheel of Consent Training and Actor Boundaries and Professional Intimacy Consent workshops in the development of this original play. Funded by the Northern Rivers Community Foundation and Women’s Resource Service, the production also received a generous donation from Global Ripple, a strong advocate in the prevention of violence towards women and children. It is proudly supported by Byron Youth Service and Brunswick Picture House.
This production was funded by Northern Rivers Community Foundation, Women’s Resource Service, Mullumbimby Neighbourhood Centre and Global Ripple. BYT are deeply gratful for the their support and that of Byron Youth Service and Brunswick Picture House.
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For our latest production Our Home Holiday Town, funded by Northern Rivers Community Foundation and Country Arts Support program, Regional Arts NSW, we have partnered with the Centre for Children and Young People, Southern Cross University. Currently in production, BYT cast members have benefitted from training as co-researchers with Dr. Antonia Canosa, Dr. Peter Cook and Dr. Catherine Simmons in exploring young people’s lived experience of growing up in a tourist destination. The findings from this research combined with facilitated experimental devising workshops has been incorporated into the script for our upcoming theatre performances of Our Home Holiday Town.
We are excited to be working again with Renee Galera-Hollis, an SAE Creative Media Institute Byron Bay Music production student in creating the sound track and Harry O’Meara our lighting designer and awesome technician.
Although the production has had to be postponed until DECEMBER ( see information below) , there are many wonderful people still busy working behind the scenes. Belle Budden, a Wakka Wakka woman living in Bundjalung country is creating a painting specifically for the production representing our beautiful Cavanbah ( the meeting place) otherwise known as Byron Bay, Australia. This is being timelapsed and will be used as a backdrop projection in parts of the performance. Nickolla Clark, another incredible local artist and proud Arakwal Bundjalung woman is developing a voice over recording to compliment the painting. The awesome Mike Russo has been creating the largest set BYT have had to date with Dee Spice assisting.
We also want to acknowledge the incredible support we have received from Christian Tancred and the staff of Byron Youth Service for allowing us to use the Youth Activity Centre (YAC) as our venue and Chris Chen & Brett Haylock from The Brunswick Picture House for the loan of some set pieces. The YAC will literally be transformed by the contribution of all these amazing people. Deep gratitude to all!!
COME SUPPORT LOCAL YOUTH THEATRE: UPDATED INFORMATION FOR OUR HOME HOLIDAY TOWN
Byron Youth Theatre have postponed their latest production until December
ALL SHOWS SOLD OUT!!
In the wake of the Black Summer bushfires, drought, floods, and now a global pandemic young people across the region are grappling with the worry and uncertainty of how climate change will impact on their future. Enter the “How on Earth” project, a unique collaboration bringing together workshops and theatre to support youth to feel more resilient and empowered to engage locally with climate change and ecological decline.
This regional partnership between Byron Youth Theatre and The Joyality Project received a $30,000 “Increasing Resilience to Climate Change” grant from the NSW Department of Planning, Industry and the Environment.
As part of this grant young people from six high schools across northern NSW were provided with interactive, resilience-building workshops by The Joyality Project alongside original performances by Byron Youth Theatre.
An original theatre performance named “How on Earth” is currently in development by Byron Youth Theatre. As an integral part of the process, cast members were interviewed by Director Lisa Apostolides about their experiences of eco-anxiety, climate change and the recent pandemic. This has been powerfully woven into a physical, verbatim style production choreographed by past BYT member Ebony Webb.
“It has been a deeply moving process in creating this production as we are all in a lived experience right now every day . It is an absolute honour to work with such talented cast members who have dedicated themselves to sharing the raw, honest truth and have Ebony’s insightful choreography as a key part of this timely piece” shares Lisa.
At the heart of “How on Earth” is The Joyality Project’s youth leader training to support participants to develop personal strategies for well-being, action and adaptation to climate change impacts.
Twenty youth leaders will go on to provide support for peers in their community and co-facilitate “How on Earth” school and community workshops at the end of 2020 and into 2021.
“We’re thrilled to be working alongside BYT to support and inspire young people in our region,” says Dr Eshana Bragg, ecopsychologist and Director of The Joyality Project. “Our Joyality trainings and workshops are based on the symbiosis of personal and planetary well-being, and the joys of community, nature connection and taking positive action, even in the darkest of times.”
The Byron Youth Theatre have previously received funding from Byron Council, Country Arts Support Program Regional Arts NSW and Northern Rivers Community Foundation to develop and perform this original production in August, and a second major production at the end of 2020.
The “How on Earth” project will also be collaborating with local emergency services, sustainability organisations and community leaders to support practical disaster preparedness of the community.
For more information about The Joyality Project visit www.joyality.org
Suggested Caption: The Byron Youth Theatre cast with Director Lisa Apostolides; and Dr Eshana Bragg, Sara Hicks and Shamila Millard of The Joyality Project.
How on earth do we navigate our rapidly changing world? What are the solutions to the multitude of issues we are now facing? Will enough of us rise up to the challenges and provide the leadership we seek for the future?
Byron Youth Theatre’s latest original production How on Earth ( Part 2) funded by Country Arts Support Program Regional Arts NSW, Northern Rivers Community Foundation and NSW Department of Planning, Industry and Environment, and supported by Arts Northern Rivers,the Joyality Project and the Brunswick Picture House, takes the audience on an intriguing journey exploring those hard to face questions! Set in a possible, not too distant future, an inspired young person and her friends seek to learn new ways of being from a parallel world to help save themselves and their home planet, but will it work? Featuring original music score, projection compilation and lighting by local professional youth and older artists as well as some kindly donated music from musicians overseas!!
We wish to recognise the generations of the local Aboriginal people of the Bundjalung Nation who have lived in and derived their physical and spiritual needs from the forests, rivers, lakes and streams of this beautiful valley over many thousands of years as the traditional owners and custodians of these lands
DEEP GRATITUDE TO
NRCF, CASP, Arts Northern Rivers. NSW Department of Planning, Industry and Environment for funding this project
Joyality Project, Brett & Chris :Brunswick Picture House, Byron Bay Community Association and Byron Youth Service for all your support!!!
Dee Spice :Di Vinci bridge construction
Nigel Haslam :projection compilation
Charlie Gill: Lighting Design
Flynn Martin: Venue technician
Shane Noble : Technician supervisor
Rhys Edwards : Technician mentor
Renee Galera-Holliss : Music editor
George Deuter : Temple of Silence track
Bhikkhu and Waduda Paradiso, New Earth Records : for giving us permission to use Deuter’s most beautiful music
John Boswell aka Melody Sheep for giving us permission to use his amazing music
Realms: Strangr Than Paradise trackfor giving us permission to use her amazing music
Renaye Elder: incredible volunteer, photographer, social media promoter
Shu Ge & Art Ge : incredible volunteers and supporters
Global Ripple Op shop: for costumes!!
Andrew Woody Woodburn: Bullseye Solutions security uniforms
Brett, Tilka Fosmale, Sam Morrell, Nigel Haslam, Elli Coleman, Paulina Heart : Security guards!
“Wouldn’t life be easy if it was all just black and white, but it’s not , there’s so much grey, isn’t there? Where we can get lost, confused, stumble down the wrong alley, take a wrong turn and end up abusing each other. Why can’t we control ourselves? Are we capable of change?”
This opening speech of Under Your Thumb sets the stage for a swath of though provoking vignettes depicting issues of abuse experienced by young people. Whether it be physical, sexual, psychological, emotional or spiritual, the impact it has on an individual’s life is long lasting which in turn affects our society. Funded by Country Arts Support Program Regional Arts NSW , Northern Rivers Community Foundation and supported by Brunswick Picture House, Under Your Thumb was yet another youth audience directed choice for BYT . During the research and development phase representatives from the headspace Tweed Heads and Women’s Resource Service, Mullumbimby, assisted with consultations and an informative training session. BYT combined this with a survey, interviews, online information from websites such as Youth Action and Reach Out.com and personal experiences to create this original production.
After a successful tour of local High schools with many audience members rating it as the “Best ever!” production, BYT delivered a public performance at the Brunswick Picture House. Check out the promo video below!
The Company wish to acknowledge the sourced work by Mila Cuda and Jessica Romoff for their slam poem “Exes”, Emmeline May for Consent and Tea and Jamie Varon for “This is how we date now” used in Under Your Thumb. They wish to thank Charlie Gill, Lighting Design and light and sound operator, Myla Yeomans, Graphic designer, and previous BYT member Charlotte Dodds for choreography. Mike and Marion Russo for props and costume items and the many friends, supports and BYT family members who helped make it happen!
In My Skin, which explores issues of racism and prejudice was created in response to youth and community audiences requests after our previous productions Here Today and Gone Tomorrow. It’s a hot topic not only in Australia but world wide with increase awareness of Aboriginal and Torres Strait Islander issues, asylum seekers, refugees and right wing groups and organisations inciting white supremacy.
In My Skin was funded by Country Arts Support Program Regional Arts NSW with financially support by Byron Council and a wonderful donation from Rotary Byron Bay. BYT wish to express our deep gratitude to these organisations as well as Byron Theatre, Drill Hall Theatre Company and Byron Youth Service.
The production incorporated 3D graphic projections interspersed between stylised dramatic scenes to transport the audience into a new future World where no culture or practices exists.
The Company also used song and choreographed dance to create a powerful, poignant production which raised many questions and hopefully galvanised audiences to take more action to create a more harmonious society.
Funded by Northern Rivers Community Foundation, a wonderful donation from Cunning Stunts and the support of the Drill Hall Theatre this incredibly powerful play focuses on pressures that young people often face which can lead to suicidal ideation.
Byron Youth Theatre cast members and Director Lisa Apostolides connected with headspace Lismore, Stand by response service, Run it Past Me, psychologist Peter Chown, Mindframe, Beyond Blue and Welfare Staff at each of our local high schools.
The video below is the full show, performed at the Drill Hall Theatre, Mullumbimby on 9th and 10th December 2017.
Poster Art work by kind permission of Pablo González-Trejo
https://www.pablogt.com/